{"id":55025,"date":"2026-05-09T20:46:51","date_gmt":"2026-05-09T18:46:51","guid":{"rendered":"https:\/\/rtsh.al\/rti\/tr\/?p=55025"},"modified":"2026-05-09T20:46:51","modified_gmt":"2026-05-09T18:46:51","slug":"basbakan-yardimcisi-kociu-atsh-sergisinde-medyanin-rolune-dikkat-cekti","status":"publish","type":"post","link":"https:\/\/rtsh.al\/rti\/tr\/basbakan-yardimcisi-kociu-atsh-sergisinde-medyanin-rolune-dikkat-cekti\/","title":{"rendered":"Ba\u015fbakan yard\u0131mc\u0131s\u0131 Ko\u00e7iu, ATSH Sergisinde medyan\u0131n rol\u00fcne dikkat \u00e7ekti"},"content":{"rendered":"

Arnavut Telgraf Ajans\u0131 ile Ar\u015fivler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019n\u00fcn (DPA) ortakla\u015fa d\u00fczenledi\u011fi \u201cATSH \u2013 Arnavut Haber Tarihinde Bir Yolculuk\u201d adl\u0131 foto\u011fraf ve belgesel sergisi, Tiran Kalesi\u2019nde kap\u0131lar\u0131n\u0131 a\u00e7t\u0131. Sergi, Arnavutluk\u2019ta bilginin ve haberin geli\u015fim s\u00fcrecini ortaya koyarken, haberin kamu ileti\u015fimi, kurumsal yap\u0131 ve ulusal haf\u0131za a\u00e7\u0131s\u0131ndan ta\u015f\u0131d\u0131\u011f\u0131 \u00f6nemi g\u00f6zler \u00f6n\u00fcne seriyor.<\/span><\/p>\n

A\u00e7\u0131l\u0131\u015f t\u00f6renine Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Albana Ko\u00e7iu, Ajans Genel M\u00fcd\u00fcr\u00fc Valbona Zhupa, G\u00f6rsel-\u0130\u015fitsel Medya Otoritesi Ba\u015fkan\u0131 Armela Krasniqi, Ar\u015fivler Genel M\u00fcd\u00fcr Yard\u0131mc\u0131s\u0131 Endrit Musaj, tarih\u00e7i ve ara\u015ft\u0131rmac\u0131 Afrim Krasniqi ile \u00e7ok say\u0131da gazeteci ve medya profesyoneli kat\u0131ld\u0131.<\/p>\n

Tarih\u00e7i Afrim Krasniqi konu\u015fmas\u0131nda, ar\u015fivlerin Arnavutluk\u2019un \u00e7a\u011fda\u015f tarihini anlamak a\u00e7\u0131s\u0131ndan vazge\u00e7ilmez oldu\u011funu s\u00f6yledi. Krasniqi, \u201c1991 y\u0131l\u0131na ait Arnavutluk materyallerini yaln\u0131zca Ajans ar\u015fivlerinde bulabildim. Bunlar\u0131 Amerika\u2019n\u0131n Sesi ar\u015fivlerinde bile bulamad\u0131m. Bu durum, Arnavutluk\u2019taki haf\u0131zan\u0131n ve ar\u015fivlerin ne kadar \u00f6nemli oldu\u011funu g\u00f6steriyor\u201d dedi.<\/p>\n

Krasniqi, devletin yaln\u0131zca siyasi kurumlardan olu\u015fmad\u0131\u011f\u0131n\u0131 belirterek, \u201cDevlet ayn\u0131 zamanda haf\u0131za ve kal\u0131c\u0131 kurumsal yap\u0131d\u0131r. Bilgi unsuru bir devlet i\u00e7in hayati \u00f6neme sahiptir\u201d ifadelerini kulland\u0131.<\/p>\n

Ajans\u0131n \u00fclke i\u00e7in b\u00fcy\u00fck bir ar\u015fiv hazinesi oldu\u011funu vurgulayan Krasniqi, \u201cBir devletin geli\u015fimini, hatalar\u0131n\u0131 ve ba\u015far\u0131lar\u0131n\u0131; \u00fcretti\u011fi belgeleri, haberleri ve anlat\u0131lar\u0131 incelemeden anlayamay\u0131z\u201d diye konu\u015ftu.<\/p>\n

Gazetecilik alan\u0131na da de\u011finen Krasniqi, bug\u00fcn Arnavutluk\u2019ta aktif olan bir\u00e7ok gazetecinin Ajans\u2019ta yeti\u015fti\u011fini belirterek, \u201cAjans insanlara haberleri k\u0131sa, h\u0131zl\u0131 ve profesyonel \u015fekilde yazmay\u0131 \u00f6\u011freten teknik bir okul i\u015flevi g\u00f6rd\u00fc\u201d dedi.<\/p>\n

Dijital \u00e7a\u011fdaki bilgi krizine dikkat \u00e7eken Krasniqi, \u201c\u0130nternet \u00e7a\u011f\u0131nda ya\u015f\u0131yoruz ancak bu d\u00f6nem ayn\u0131 zamanda b\u00fcy\u00fck bir haber krizi d\u00f6nemi. Devlet belgelerine ve g\u00fcvenilir referanslara ula\u015fmak giderek zorla\u015f\u0131yor\u201d de\u011ferlendirmesinde bulundu.<\/p>\n

Ar\u015fivler Genel M\u00fcd\u00fcr Yard\u0131mc\u0131s\u0131 Endrit Musaj ise ar\u015fivler ve medyan\u0131n ulusal haf\u0131zay\u0131 koruyan iki temel kurum oldu\u011funu vurgulayarak, \u201cAr\u015fiv ve medya, bilginin ve ulusal haf\u0131zan\u0131n korunmas\u0131n\u0131 sa\u011flar. Bu sergi, gelecekte de devam edecek i\u015f birli\u011fimizin ilk a\u015famas\u0131d\u0131r\u201d dedi.<\/p>\n

Musaj, Ajans\u0131n Arnavutluk\u2019taki toplumsal, k\u00fclt\u00fcrel ve siyasi geli\u015fmeleri belgeleyen \u00f6zel bir role sahip oldu\u011funu belirterek, serginin \u00fclkenin medya tarihine \u0131\u015f\u0131k tuttu\u011funu kaydetti.<\/p>\n

Ajans Genel M\u00fcd\u00fcr\u00fc Valbona Zhupa ise serginin yaln\u0131zca ge\u00e7mi\u015fe d\u00f6n\u00fc\u015f olmad\u0131\u011f\u0131n\u0131, ayn\u0131 zamanda Arnavutluk\u2019ta kamuoyunun nas\u0131l \u015fekillendi\u011fini anlamaya y\u00f6nelik bir giri\u015fim oldu\u011funu ifade etti.<\/p>\n

Zhupa, \u201cBu sergiyle yaln\u0131zca olaylar\u0131 de\u011fil, farkl\u0131 d\u00f6nemlerin atmosferini de yeniden canland\u0131rmak istedik. \u0130lk yay\u0131n makineleri, siyah beyaz foto\u011fraflar, eski radyo istasyonlar\u0131, telgraflar, kameralar ve haberin arkas\u0131ndaki insanlar\u0131 ziyaret\u00e7ilere sunuyoruz\u201d dedi.<\/p>\n

Ajans ve Ar\u015fivler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc i\u015f birli\u011fiyle daha \u00f6nce yay\u0131mlanmam\u0131\u015f belge ve foto\u011fraflar\u0131n sergilendi\u011fini belirten Zhupa, \u201cBu sergi, Arnavutluk\u2019ta bilginin tarihini belge ve foto\u011fraflarla g\u00f6zler \u00f6n\u00fcne seriyor\u201d diye konu\u015ftu.<\/p>\n

Zhupa ayr\u0131ca Ajans ar\u015fivlerinin dijitalle\u015ftirme s\u00fcrecinin ba\u015flad\u0131\u011f\u0131n\u0131 a\u00e7\u0131klayarak, \u201c300 binden fazla foto\u011fraf ve film negatifinden olu\u015fan bu ar\u015fiv, gelecek nesiller i\u00e7in korunuyor ve dijital ortama aktar\u0131l\u0131yor\u201d ifadelerini kulland\u0131.<\/p>\n

Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Albana Ko\u00e7iu da sergiyi, tarihle gelece\u011fe dair d\u00fc\u015f\u00fcnceyi bir araya getiren \u00f6nemli bir giri\u015fim olarak de\u011ferlendirdi. Ko\u00e7iu, dezenformasyon ve teknolojik d\u00f6n\u00fc\u015f\u00fcm\u00fcn medya alan\u0131n\u0131 do\u011frudan etkiledi\u011fi bir d\u00f6nemde g\u00fcvenilir bilginin \u00f6neminin artt\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n

Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Ko\u00e7iu, \u201cMedya \u00f6zg\u00fcrl\u00fc\u011f\u00fc, bilginin do\u011frulu\u011fu, resmi kaynaklar\u0131n g\u00fcvenilirli\u011fi ve vatanda\u015flarla a\u00e7\u0131k ileti\u015fim kurabilme kapasitesi Avrupa de\u011ferlerinin ayr\u0131lmaz bir par\u00e7as\u0131d\u0131r\u201d dedi.<\/p>\n

Serginin Avrupa G\u00fcn\u00fc\u2019ne denk gelmesinin sembolik \u00f6nem ta\u015f\u0131d\u0131\u011f\u0131n\u0131 ifade eden Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Ko\u00e7iu, Ajans\u0131n 100 y\u0131l\u0131 a\u015fk\u0131n tarihine dikkat \u00e7ekerek, \u201cBug\u00fcn Ajans\u0131n y\u00fcz y\u0131l\u0131 a\u015fk\u0131n tarihini anlat\u0131yoruz. Yak\u0131n gelecekte ise bug\u00fcn yazd\u0131\u011f\u0131m\u0131z tarihin anlat\u0131ld\u0131\u011f\u0131 yeni bir b\u00f6l\u00fcm\u00fcn olu\u015faca\u011f\u0131na inan\u0131yorum\u201d diye konu\u015ftu.<\/p>\n

Arnavutluk\u2019un bug\u00fcn bilgi alan\u0131nda b\u00fcy\u00fck zorluklarla kar\u015f\u0131 kar\u015f\u0131ya oldu\u011funu belirten Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Ko\u00e7iu, Eurobarometer verilerine g\u00f6re vatanda\u015flar\u0131n y\u00fczde 73\u2019\u00fcn\u00fcn dezenformasyonu g\u00fcnl\u00fck bir tehdit olarak g\u00f6rd\u00fc\u011f\u00fcn\u00fc, y\u00fczde 86\u2019s\u0131n\u0131n ise bunu demokrasi i\u00e7in risk kabul etti\u011fini s\u00f6yledi.<\/p>\n

Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Ko\u00e7iu, \u201cYapay zek\u00e2 ve ileri teknolojinin \u00e7a\u011f\u0131nda bilgiyi do\u011frulamak giderek zorla\u015f\u0131yor. Bu nedenle g\u00fcvenilir resmi kurumlar, do\u011fru ve g\u00fcvenilir bilgi sa\u011flamak a\u00e7\u0131s\u0131ndan hayati \u00f6neme sahiptir\u201d ifadelerini kulland\u0131.<\/p>\n

H\u00fck\u00fcmetin Ajansa deste\u011finin s\u00fcrece\u011fini vurgulayan Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Ko\u00e7iu, \u201cBu kurumun daha \u00fcst seviyeye ta\u015f\u0131nmas\u0131 i\u00e7in h\u00fck\u00fcmet deste\u011fi devam edecek. Ajans, do\u011fru bilginin g\u00fc\u00e7lendirilmesi a\u00e7\u0131s\u0131ndan temel ve g\u00fc\u00e7l\u00fc kurumlardan biridir\u201d dedi.<\/p>\n

Sergi, 1920\u2019li y\u0131llardaki ilk haber iletim y\u00f6ntemlerinden radyo yay\u0131nc\u0131l\u0131\u011f\u0131na, geleneksel gazetecilikten dijital medya \u00e7a\u011f\u0131ndaki teknolojik d\u00f6n\u00fc\u015f\u00fcme kadar Arnavutluk\u2019taki haber ve bilgi tarihine geni\u015f bir perspektif sunuyor. Ayr\u0131ca Ajans\u0131n, \u00fclkenin kamuoyunu \u015fekillendiren ve ulusal haf\u0131zay\u0131 belgeleyen en \u00f6nemli kurumlardan biri olarak oynad\u0131\u011f\u0131 rol\u00fc ortaya koyuyor.<\/p>\n

\"\" \"\"<\/p>\n

 <\/p>\n

\/ Bora Meco \/<\/p>\n","protected":false},"excerpt":{"rendered":"

Arnavut Telgraf Ajans\u0131 ile Ar\u015fivler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019n\u00fcn (DPA) ortakla\u015fa d\u00fczenledi\u011fi \u201cATSH \u2013 Arnavut Haber Tarihinde Bir Yolculuk\u201d adl\u0131 foto\u011fraf ve belgesel sergisi, Tiran Kalesi\u2019nde kap\u0131lar\u0131n\u0131 a\u00e7t\u0131. Sergi, Arnavutluk\u2019ta bilginin ve haberin geli\u015fim s\u00fcrecini ortaya koyarken, haberin kamu ileti\u015fimi, kurumsal yap\u0131 ve ulusal haf\u0131za a\u00e7\u0131s\u0131ndan ta\u015f\u0131d\u0131\u011f\u0131 \u00f6nemi g\u00f6zler \u00f6n\u00fcne seriyor. A\u00e7\u0131l\u0131\u015f t\u00f6renine Ba\u015fbakan Yard\u0131mc\u0131s\u0131 Albana Ko\u00e7iu, […]<\/p>\n","protected":false},"author":3,"featured_media":55026,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-55025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-ve-kultur"],"_links":{"self":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/55025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/comments?post=55025"}],"version-history":[{"count":1,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/55025\/revisions"}],"predecessor-version":[{"id":55029,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/55025\/revisions\/55029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media\/55026"}],"wp:attachment":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media?parent=55025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/categories?post=55025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/tags?post=55025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}