23 Haziran 1937 tarihinde, Arnavut sinemas\u0131n\u0131n se\u00e7kin y\u00f6netmen ve senaristlerinden Viktor Gjika Kor\u00e7\u00eb\u2019de d\u00fcnyaya geldi.<\/p>\n
Gjika, Arnavut izleyicisine \u201c\u0130kinci Kas\u0131m (N\u00ebntori i dyt\u00eb)\u201d, \u201cGramofon General\u201d, \u201cUzun Gecelerin Y\u0131ld\u0131zlar\u0131\u201d, \u201cSilahl\u0131 Adam\u201d, \u201cBeyaz Yollar\u201d, \u201cBronzda Sekizinci\u201d, \u201cY\u00fczle\u015fme\u201d, \u201cHer Mevsim\u201d gibi sinema tarihine damga vuran eserler kazand\u0131rd\u0131. Onun yap\u0131mlar\u0131, Arnavut sinemas\u0131n\u0131n alt\u0131n ar\u015fivinde ve kolektif haf\u0131zada \u00f6zel bir yer edinmi\u015ftir. Sanatsal ba\u015far\u0131lar\u0131 nedeniyle 1977 y\u0131l\u0131nda \u201cLiyakat Sanat\u00e7\u0131s\u0131\u201d, 1985 y\u0131l\u0131nda ise \u201cHalk Sanat\u00e7\u0131s\u0131\u201d unvan\u0131na lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n
Viktor Gjika y\u00fcksek \u00f6\u011frenimini Moskova\u2019da tamamlad\u0131. Burada Dhimit\u00ebr Anagnosti ile birlikte g\u00f6r\u00fcnt\u00fc y\u00f6netmenli\u011fi (kamera operat\u00f6rl\u00fc\u011f\u00fc) e\u011fitimi ald\u0131. Mezuniyet \u00e7al\u0131\u015fmalar\u0131 olan, Ernest Hemingway\u2019in bir hik\u00e2yesinden uyarlanan \u201c\u0130nsan Asla \u00d6lmez\u201d filmiyle 1961 y\u0131l\u0131nda D\u00fcnya Film Okullar\u0131 Festivali\u2019nde B\u00fcy\u00fck \u00d6d\u00fcl kazand\u0131lar.<\/p>\n
\u00dclkesine d\u00f6nd\u00fckten sonra Gjika, y\u00f6netmen ve senarist olarak Arnavut sinemas\u0131n\u0131n en \u00f6nemli yap\u0131mlar\u0131na imza att\u0131. Uzun metraj filmlerin yan\u0131 s\u0131ra belgesel alan\u0131nda da \u00fcretken oldu; \u201cBistrica \u201963\u201d, \u201cKas\u0131m Gelince\u201d, \u201cA\u00e7\u0131k Ufuklar\u201d gibi yap\u0131mlar\u0131n yan\u0131 s\u0131ra Fan Noli ve \u0130smail Qemali gibi ulusal fig\u00fcrlere portre filmler haz\u0131rlad\u0131. Toplamda yakla\u015f\u0131k 15 uzun metraj film ve 25 belgesel \u00fcretti.<\/p>\n
Gjika, y\u00f6netmen, senarist ve g\u00f6r\u00fcnt\u00fc y\u00f6netmeni olarak geli\u015ftirdi\u011fi g\u00f6rsel dili ve ger\u00e7ek\u00e7i atmosferiyle sinemada \u00f6zg\u00fcn bir \u00fcslup olu\u015fturdu.<\/p>\n
1984\u20131991 y\u0131llar\u0131 aras\u0131nda \u201cShqip\u00ebria e Re\u201d Film St\u00fcdyosu\u2019nun m\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc yapt\u0131. Bu d\u00f6nemde Arnavut sinemas\u0131n\u0131n \u00f6nemli bir evresinde film \u00fcretimini y\u00f6netti ve kurumun k\u00fclt\u00fcrel politikas\u0131na yeni bir y\u00f6n kazand\u0131rd\u0131.<\/p>\n
3 Mart 2009\u2019da hayat\u0131n\u0131 kaybetti.<\/p>\n
2021 y\u0131l\u0131nda, \u00f6l\u00fcm\u00fcnden sonra Cumhurba\u015fkan\u0131 taraf\u0131ndan \u201cUlusun Onuru\u201d ni\u015fan\u0131yla \u00f6d\u00fcllendirildi. Gerek\u00e7ede, Arnavut sinemas\u0131na g\u00f6r\u00fcnt\u00fc y\u00f6netmeni, senarist, y\u00f6netmen ve kurum y\u00f6neticisi olarak yapt\u0131\u011f\u0131 ola\u011fan\u00fcst\u00fc katk\u0131lar; uluslararas\u0131 ekranlarda Arnavut sinemas\u0131n\u0131 ba\u015far\u0131yla temsil etmesi ve film sevgisini yeni nesillere aktarmas\u0131 vurguland\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"
23 Haziran 1937 tarihinde, Arnavut sinemas\u0131n\u0131n se\u00e7kin y\u00f6netmen ve senaristlerinden Viktor Gjika Kor\u00e7\u00eb\u2019de d\u00fcnyaya geldi. Gjika, Arnavut izleyicisine \u201c\u0130kinci Kas\u0131m (N\u00ebntori i dyt\u00eb)\u201d, \u201cGramofon General\u201d, \u201cUzun Gecelerin Y\u0131ld\u0131zlar\u0131\u201d, \u201cSilahl\u0131 Adam\u201d, \u201cBeyaz Yollar\u201d, \u201cBronzda Sekizinci\u201d, \u201cY\u00fczle\u015fme\u201d, \u201cHer Mevsim\u201d gibi sinema tarihine damga vuran eserler kazand\u0131rd\u0131. Onun yap\u0131mlar\u0131, Arnavut sinemas\u0131n\u0131n alt\u0131n ar\u015fivinde ve kolektif haf\u0131zada \u00f6zel bir […]<\/p>\n","protected":false},"author":3,"featured_media":57927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-57926","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portre"],"_links":{"self":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/57926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/comments?post=57926"}],"version-history":[{"count":1,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/57926\/revisions"}],"predecessor-version":[{"id":57928,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/57926\/revisions\/57928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media\/57927"}],"wp:attachment":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media?parent=57926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/categories?post=57926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/tags?post=57926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}