Arnavut sinemas\u0131n\u0131n se\u00e7kin y\u00f6netmenlerinden Viktor Gjika, 23 Haziran 1937’de Kor\u00e7a’da do\u011fdu.<\/p>\n
Y\u00fcksek\u00f6\u011frenimini Moskova’da tamamlayan Gjika, burada g\u00f6r\u00fcnt\u00fc y\u00f6netmenli\u011fi alan\u0131nda Dhimit\u00ebr Anagnosti ile birlikte e\u011fitim g\u00f6rd\u00fc. \u0130kili, Ernest Hemingway’in bir \u00f6yk\u00fcs\u00fcnden uyarlanan\u00a0“\u0130nsan Asla \u00d6lmez”\u00a0adl\u0131 diploma filmini birlikte \u00e7ekti. Bu yap\u0131mla 1961 y\u0131l\u0131nda D\u00fcnya Sinema Okullar\u0131 Festivali’nde B\u00fcy\u00fck \u00d6d\u00fcl’e lay\u0131k g\u00f6r\u00fcld\u00fcler.<\/p>\n
Gjika, Arnavut sinemas\u0131n\u0131n en \u00f6nemli yap\u0131mlar\u0131 aras\u0131nda yer alan “Sekizinci Bronz Adam”, “Uzun Gecelerin Y\u0131ld\u0131zlar\u0131”, “Beyaz Yollar”, “General Gramofon” , “\u0130kinci Kas\u0131m”, “Toplu Adam”, “I\u015f\u0131\u011f\u0131n Komiseri”, “Direni\u015f” ve “Her Mevsimde” gibi bir\u00e7ok \u00f6nemli filme imza att\u0131.<\/p>\n
Kurmaca filmlerin yan\u0131 s\u0131ra belgesel sinemaya da \u00f6nemli katk\u0131lar sa\u011flayan Gjika, zaman zaman senaryolar\u0131n\u0131 yazd\u0131 ve g\u00f6r\u00fcnt\u00fc y\u00f6netmeni olarak da g\u00f6rev yapt\u0131. Kariyeri boyunca yakla\u015f\u0131k\u00a015 uzun metrajl\u0131 film\u00a0ve\u00a025 belgesel\u00a0ger\u00e7ekle\u015ftirdi.<\/p>\n
Sanatsal ba\u015far\u0131lar\u0131 ve sinemaya yapt\u0131\u011f\u0131 de\u011ferli katk\u0131lar nedeniyle 1977 y\u0131l\u0131nda\u00a0“Liyakatli Sanat\u00e7\u0131”, 1985 y\u0131l\u0131nda ise\u00a0“Halk Sanat\u00e7\u0131s\u0131”\u00a0unvanlar\u0131yla onurland\u0131r\u0131ld\u0131.<\/p>\n
Viktor Gjika, 3 Mart 2009 tarihinde hayat\u0131n\u0131 kaybetti.<\/p>\n
2021 y\u0131l\u0131nda ise Arnavutluk Cumhurba\u015fkan\u0131 taraf\u0131ndan, \u00f6l\u00fcm\u00fcnden sonra \u00fclkenin en y\u00fcksek devlet ni\u015fanlar\u0131ndan biri olan\u00a0“Ulusun Onuru”\u00a0ni\u015fan\u0131yla \u00f6d\u00fcllendirildi. Gerek\u00e7ede, eski Yeni Arnavutluk Sinemast\u00fcdyosu’nun se\u00e7kin g\u00f6r\u00fcnt\u00fc y\u00f6netmeni, senaristi, y\u00f6netmeni ve y\u00f6neticisi olarak Arnavut sinemas\u0131na yapt\u0131\u011f\u0131 ola\u011fan\u00fcst\u00fc katk\u0131lar ile Arnavut sinema sanat\u0131n\u0131 uluslararas\u0131 platformlarda ba\u015far\u0131yla temsil etmesi ve sinema sevgisini gen\u00e7 ku\u015faklara b\u00fcy\u00fck bir ustal\u0131kla aktarmas\u0131 vurguland\u0131.<\/p>\n
\/ Aida Vishko \/<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Arnavut sinemas\u0131n\u0131n se\u00e7kin y\u00f6netmenlerinden Viktor Gjika, 23 Haziran 1937’de Kor\u00e7a’da do\u011fdu. Y\u00fcksek\u00f6\u011frenimini Moskova’da tamamlayan Gjika, burada g\u00f6r\u00fcnt\u00fc y\u00f6netmenli\u011fi alan\u0131nda Dhimit\u00ebr Anagnosti ile birlikte e\u011fitim g\u00f6rd\u00fc. \u0130kili, Ernest Hemingway’in bir \u00f6yk\u00fcs\u00fcnden uyarlanan\u00a0“\u0130nsan Asla \u00d6lmez”\u00a0adl\u0131 diploma filmini birlikte \u00e7ekti. Bu yap\u0131mla 1961 y\u0131l\u0131nda D\u00fcnya Sinema Okullar\u0131 Festivali’nde B\u00fcy\u00fck \u00d6d\u00fcl’e lay\u0131k g\u00f6r\u00fcld\u00fcler. Gjika, Arnavut sinemas\u0131n\u0131n en \u00f6nemli yap\u0131mlar\u0131 […]<\/p>\n","protected":false},"author":4,"featured_media":58313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-58303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portre"],"_links":{"self":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/58303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/comments?post=58303"}],"version-history":[{"count":2,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/58303\/revisions"}],"predecessor-version":[{"id":58316,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/58303\/revisions\/58316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media\/58313"}],"wp:attachment":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media?parent=58303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/categories?post=58303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/tags?post=58303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}