17 Temmuz 1907’de, Kor\u00e7a \u015fehrinde, Arnavut m\u00fczik tarihinin en \u00f6nemli isimlerinden biri olan\u00a0Kristo Kono\u00a0d\u00fcnyaya geldi. Besteci, orkestra \u015fefi, e\u011fitimci ve sanat ya\u015fam\u0131n\u0131n organizat\u00f6r\u00fc olan Kono, Arnavut klasik m\u00fczi\u011finin kurucular\u0131ndan biri olarak kabul edilir.<\/p>\n
Kristo Kono, daha \u00e7ocuk ya\u015flarda m\u00fczikle ve ya\u015fad\u0131\u011f\u0131 kentin k\u00fclt\u00fcr dernekleriyle tan\u0131\u015ft\u0131. M\u00fczik alan\u0131ndaki ilk bilgilerini bu derneklerde edindi; ayn\u0131 zamanda m\u00fczi\u011fe olan ilgisi ve tutkusu da burada g\u00fc\u00e7lendi. Hen\u00fcz gen\u00e7 ya\u015fta \u015fehrin bando tak\u0131m\u0131na kat\u0131larak klarnet \u00e7almay\u0131 \u00f6\u011frendi.<\/p>\n
M\u00fczik alan\u0131ndaki ilk bestelerini 1920’li y\u0131llarda \u015fark\u0131lar ve k\u0131sa enstr\u00fcmantal eserlerle vermeye ba\u015flad\u0131. 1927 y\u0131l\u0131nda e\u011fitim i\u00e7in \u0130talya’ya gitti ve burada orkestra \u015fefli\u011fi e\u011fitimi ald\u0131. 1927-1932 y\u0131llar\u0131 aras\u0131ndaki \u00f6\u011frenimi s\u0131ras\u0131nda beste tekni\u011finin temel unsurlar\u0131n\u0131 edindi ve Kor\u00e7a \u015fehir halk m\u00fczi\u011finin ruhundan esinlenerek ilk \u015fark\u0131lar\u0131n\u0131 besteledi.<\/p>\n
\u00dclkesine d\u00f6nd\u00fckten sonra, Eyl\u00fcl 1932’de\u00a0“Sk\u00ebnderbeu” K\u00fclt\u00fcr Derne\u011fi\u00a0taraf\u0131ndan d\u00fczenlenen bir konserde besteci olarak ilk kez Kor\u00e7a halk\u0131n\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131. Bu konser b\u00fcy\u00fck be\u011feni toplad\u0131 ve k\u0131sa s\u00fcrede eserleriyle tan\u0131nan bir sanat\u00e7\u0131 haline geldi.<\/p>\n
Daha sonra Kor\u00e7a Lisesi’ne m\u00fczik \u00f6\u011fretmeni olarak atand\u0131. Pedagojik \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra okulun sanat toplulu\u011funu da y\u00f6netti. Ayn\u0131 d\u00f6nemde \u00fcnl\u00fc\u00a0“Lira” Korosu\u00a0ile \u00e7al\u0131\u015fmaya ba\u015flad\u0131 ve \u015fehrin bandosunun y\u00f6netimini \u00fcstlendi.<\/p>\n
Kristo Kono’nun \u00e7al\u0131\u015fmalar\u0131n\u0131n \u00f6nemli bir y\u00f6n\u00fc de \u00e7ok say\u0131da halk t\u00fcrk\u00fcs\u00fcn\u00fc derleyip koro i\u00e7in d\u00fczenlemesi oldu. Bu eserleri sanatsal a\u00e7\u0131dan zenginle\u015ftirerek onlara yeni ulusal de\u011ferler kazand\u0131rd\u0131. Halk ezgileri \u00fczerine yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalar\u0131n bir \u00fcr\u00fcn\u00fc olarak iki koro rapsodisi besteledi.<\/p>\n
Fa\u015fist i\u015fgal, k\u00fclt\u00fcrel de\u011ferlerin tahrip edilmesine ve Kor\u00e7a’daki bir\u00e7ok k\u00fclt\u00fcr derne\u011finin da\u011f\u0131lmas\u0131na yol a\u00e7t\u0131. Bu nedenle Kono’nun bu d\u00f6nemdeki \u00fcretimi daha s\u0131n\u0131rl\u0131 kald\u0131. Buna ra\u011fmen, 28 Kas\u0131m 1942’de Tiran’da b\u00fcy\u00fck ba\u015far\u0131yla seslendirilen\u00a0“Arnavut Rapsodisi No. 1”\u00a0bu d\u00f6nemin en \u00f6nemli eserlerinden biri oldu.<\/p>\n
\u00dclkenin kurtulu\u015fundan sonra Kristo Kono’nun sanatsal \u00fcretimi yeni bir ivme kazand\u0131. Eserleri profesyonel orkestralar taraf\u0131ndan seslendirildi, radyoda yay\u0131mland\u0131, plaklara kaydedildi ve kitaplarda yay\u0131mland\u0131.<\/p>\n
Kono’nun, \u00fcnl\u00fc soprano\u00a0Tefta Tashko Ko\u00e7o\u00a0ile yapt\u0131\u011f\u0131 i\u015f birli\u011fi de olduk\u00e7a verimli oldu.<\/p>\n
1945-1965 y\u0131llar\u0131n\u0131 kapsayan yirmi y\u0131ll\u0131k yarat\u0131c\u0131 d\u00f6neminde Kristo Kono, \u00e7ok farkl\u0131 m\u00fczik t\u00fcrlerinde \u00e7ok say\u0131da eser besteledi. Onu en \u00e7ok tan\u0131n\u0131r k\u0131lan \u00e7al\u0131\u015fmalar ise b\u00fcy\u00fck \u00f6l\u00e7ekli vokal-enstr\u00fcmantal eserleri oldu. Besteledi\u011fi senfonik \u015fiirler ve kantatlar, Arnavut m\u00fczi\u011finde kendi t\u00fcrlerinin ilk \u00f6rnekleri aras\u0131nda yer ald\u0131. Bunlar\u0131n en tan\u0131nm\u0131\u015flar\u0131\u00a0“Borova”,\u00a0“Lab\u00ebria”\u00a0adl\u0131 vokal-enstr\u00fcmantal \u015fiirler ile\u00a0Vatan Hasreti\u00a0kantat\u0131d\u0131r.<\/p>\n
Konser m\u00fczi\u011fi alan\u0131ndaki eserleri aras\u0131nda\u00a0“Fantazi Shqiptare” (Arnavut Fantazisi),\u00a0“Valle Shqiptare” (Arnavut Dans\u0131),\u00a0“Mezhgorani”\u00a0adl\u0131 fantazi ve orkestra i\u00e7in yazd\u0131\u011f\u0131\u00a0“Bredhat e Drenov\u00ebs” (Drenova’n\u0131n K\u00f6knarlar\u0131)\u00a0adl\u0131 senfonik \u015fiir say\u0131labilir.<\/p>\n
Bunlar\u0131n yan\u0131 s\u0131ra orkestra s\u00fcitleri, \u00e7e\u015fitli oda m\u00fczi\u011fi eserleri ve fl\u00fct, obua, keman, piyano, klarnet gibi farkl\u0131 \u00e7alg\u0131lar i\u00e7in \u00e7ok say\u0131da eser besteledi.<\/p>\n
1954 y\u0131l\u0131nda besteledi\u011fi\u00a0“Agimi”\u00a0opereti, Arnavutluk’ta opera sanat\u0131n\u0131n geli\u015fimine \u00f6nc\u00fcl\u00fck eden eserlerden biri olarak kabul edilir. Ard\u0131ndan 1957’de\u00a0“S\u00eb bashku jeta \u00ebsht\u00eb e bukur” (Birlikte Hayat G\u00fczeldir)\u00a0ve 1968’de\u00a0“Brigadierja”\u00a0adl\u0131 iki operet daha besteledi.<\/p>\n
Kristo Kono’nun ba\u015fyap\u0131t\u0131 ise Kas\u0131m 1961’de sahnelenen\u00a0“Lulja e kujtimit” (Hat\u0131ran\u0131n \u00c7i\u00e7e\u011fi)\u00a0operas\u0131d\u0131r. Bu eser, Arnavutluk Devlet Opera ve Bale Tiyatrosu sahnesinde bir\u00e7ok kez ba\u015far\u0131yla sergilenmi\u015ftir.<\/p>\n
Uzun sanat ya\u015fam\u0131 boyunca, kal\u0131c\u0131 ulusal de\u011ferlere sahip zengin bir miras b\u0131rakt\u0131. Eserleri aras\u0131nda \u015funlar yer al\u0131r:<\/p>\n
Kristo Kono, yaln\u0131zca \u00fcretken bestecili\u011fiyle de\u011fil, ayn\u0131 zamanda m\u00fczik kurumlar\u0131n\u0131n kurulmas\u0131nda ve yeni ku\u015fak sanat\u00e7\u0131lar\u0131n yeti\u015ftirilmesinde oynad\u0131\u011f\u0131 \u00f6nemli rolle de \u00f6ne \u00e7\u0131km\u0131\u015ft\u0131r. Uzun y\u0131llar boyunca Arnavutluk’un k\u00fclt\u00fcrel ya\u015fam\u0131n\u0131n temel isimlerinden biri olmu\u015ftur.<\/p>\n
1961 y\u0131l\u0131nda Kristo Kono’ya, \u00fclkenin en y\u00fcksek sanatsal unvanlar\u0131ndan biri olan\u00a0“Halk Sanat\u00e7\u0131s\u0131”\u00a0unvan\u0131 verilmi\u015ftir.<\/p>\n
Kristo Kono, 1991 y\u0131l\u0131nda hayata veda etti. Ancak m\u00fczi\u011fi ve b\u0131rakt\u0131\u011f\u0131 k\u00fclt\u00fcrel miras, konser salonlar\u0131nda, ulusal repertuvarda ve Arnavut m\u00fczi\u011finin ruhunu ta\u015f\u0131yan her ezgide ya\u015famaya devam etmektedir.<\/p>\n
\/ Aida Vishko \/\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" 17 Temmuz 1907’de, Kor\u00e7a \u015fehrinde, Arnavut m\u00fczik tarihinin en \u00f6nemli isimlerinden biri olan\u00a0Kristo Kono\u00a0d\u00fcnyaya geldi. Besteci, orkestra \u015fefi, e\u011fitimci ve sanat ya\u015fam\u0131n\u0131n organizat\u00f6r\u00fc olan Kono, Arnavut klasik m\u00fczi\u011finin kurucular\u0131ndan biri olarak kabul edilir. Kristo Kono, daha \u00e7ocuk ya\u015flarda m\u00fczikle ve ya\u015fad\u0131\u011f\u0131 kentin k\u00fclt\u00fcr dernekleriyle tan\u0131\u015ft\u0131. M\u00fczik alan\u0131ndaki ilk bilgilerini bu derneklerde edindi; ayn\u0131 zamanda m\u00fczi\u011fe […]<\/p>\n","protected":false},"author":4,"featured_media":59667,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-59666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portre"],"_links":{"self":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/59666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/comments?post=59666"}],"version-history":[{"count":1,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/59666\/revisions"}],"predecessor-version":[{"id":59668,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/posts\/59666\/revisions\/59668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media\/59667"}],"wp:attachment":[{"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/media?parent=59666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/categories?post=59666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rtsh.al\/rti\/tr\/wp-json\/wp\/v2\/tags?post=59666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}