The stage design for the Albanian National Folk Festival in Gjirokastër 2023 was orchestrated by the Spanish architect Ines Esnal. This event is revered as one of the most significant facets of Albanian cultural heritage, as highlighted in an article by the Spanish magazine “Metalocus.”

The venue is situated on a rocky promontory within the historic fortress of Gjirokastra Castle, providing breathtaking vistas overlooking the city and offering magnificent views of the Drin River valley.

The artist and architect Inés Esnal has previously created numerous large-scale installations, including the Corolla installation in Denver, Colorado, United States of America.

Inés Esnal’s scenography was inspired by the intricate traditions of carpet production.

The stage setup incorporates a pre-existing structure dating back to the original 1968 Festival. This includes an 8-meter diameter steel hemisphere and free-standing columns behind it, which were integral components of the initial scenography.

“In a manner reminiscent of warps on a colossal loom, multiple bands of colored threads traverse between the columns, the arched structure, and the dome, symmetrically intertwining to shape a luminous and dynamic textile vault,” expressed Esnal.

The canopy of ropes extending between the columns and the primary performance area covers the stage, creating an ambulatory that aids in a seamless transition backstage.

This two-fold design not only delineates the stage area but also the backstage. Performers, including dancers and musicians, can witness an evolving image that transforms with their movements and the play of light. Similarly, spectators can perceive diverse environments based on their positions in front of the stage.

The installation serves as the backdrop for the stage of the Albanian National Folklore Festival in Gjirokastër 2023, renowned as the paramount event within the Albanian cultural heritage.

Situated on a rocky outcrop within the historical fortress of Gjirokastra Castle, offering a vantage point over the city and breathtaking views of the Drin River valley, the structure draws inspiration from the opulent heritage of carpet-making traditions.

The red hues pay homage to the traditional colors found in carpets and regional customs, establishing a stark contrast with the landscape.

The extended upper strips, transforming into a canopy, display monochromatic tones, while the lower, more densely woven section features a blend of colors intricately crafted into traditional geometric patterns.

The installation’s permeability, enabling light to filter through the ropes, amplifies the dynamic interplay between the stage and backstage, fostering an immersive visual encounter that evolves throughout the day.

During daylight hours, the installation seamlessly integrates with the landscape, exuding a fluid and harmonious presence.

/m.ll/